Nora’s Relationship with Torvald Essay -- A Dolls House Relationships

Noras Relationship with TorvaldThe drastic change in Noras family relationship with Torvald that occursduring the course of the puzzle out is made quite evident by what she saysand the bearing she delivers her speech. At the beginning of the play Noraseems completely halcyon with her doll- standardised relationship with Torvald.She responds affectionately to Torvalds teasing and plays along withhim if you only knew what expenses we boasts and squirrels have,Torvald. She is quite happy to be Torvalds light featherbrain.However, as the play continues, Nora incurs to realise that her unification has been a performance and that she needs her own freedom.She becomes more rebellious, starts to use the tyrannical with Torvaldand somewhat abandons her childlike language. As the play reaches its bar, Nora becomes totally independent from Torvald and negotiation to himfrom equal to equal, not daughter to father.At the beginning of the play, Noras relationship with Torvald seemsthat of a child with her father. She is patronised, called a littlesquirrel, a skylark and charge of being a spendthrift becauseshe cant save notes although she seems quite happy to be called so asshe doesnt plain about it and even plays along - when Torvald saysscampering about like a little squirrel? she just answers yesinstead of complaining about being treated like a little girl. WhenTorvald asks her what do they call little birds who are continuously makingmoney fly? she answers yes, I know, spendthrifts as if she had beentaught that lesson many quantify because she is so childish that shekeeps on making the same mistake. She never contradicts her married man very well, Torvald, if you say so asks for his approval like a... ...and that its nogood your forbidding me anything any lifelong because she has freedherself. By the end of the play Nora has her own voice, not Torvalds,she is no longer his doll that will do whatever he asks to please him,no longer his little skylark and not the wife for you.Over the course of the play, the alteration in Noras relationshipwith Torvald is made evident by the change in the way she speaks. Atthe beginning, she is his little squirrel, a childish featherbrainthat is pampered and patronised by Torvald. The confused turning pointsin the action, where Nora starts to change the way she speaks, usingthe imperative and contradicting Torvald start to show the change inthe relationship that is completed by the end of the play, when Noratalks clearly to Torvald from equal to equal, having a voice of herown, no longer his doll.